{"id":210,"date":"2020-12-08T16:54:39","date_gmt":"2020-12-08T16:54:39","guid":{"rendered":"https:\/\/ubpublishing.com\/?p=210"},"modified":"2020-12-09T17:38:32","modified_gmt":"2020-12-09T17:38:32","slug":"a-resurrection-of-a-revolution-again","status":"publish","type":"post","link":"https:\/\/ubpublishing.com\/index.php\/2020\/12\/08\/a-resurrection-of-a-revolution-again\/","title":{"rendered":"A Resurrection of a Revolution (Again)"},"content":{"rendered":"<div id=\"pl-210\"  class=\"panel-layout\" ><div id=\"pg-210-0\"  class=\"panel-grid panel-no-style\" ><div id=\"pgc-210-0-0\"  class=\"panel-grid-cell\" ><div id=\"panel-210-0-0-0\" class=\"so-panel widget widget_sow-editor panel-first-child panel-last-child\" data-index=\"0\" ><div\n\t\t\t\n\t\t\tclass=\"so-widget-sow-editor so-widget-sow-editor-base\"\n\t\t\t\n\t\t><h3 class=\"widget-title\">A Resurrection of a Revolution (Again)<\/h3>\n<div class=\"siteorigin-widget-tinymce textwidget\">\n\t<p>by Carl Knauf<\/p>\n<p><em>\u00a0<\/em><\/p>\n<p><em>\u201cThere\u2019s something in the, something in the way you were.\u201d<\/em><br \/>\n<em>-The Union Underground, \u201cRevolution Man\u201d<\/em><\/p>\n<p>&nbsp;<\/p>\n<p>I was in an airport restaurant waiting out a sizable layover, inhaling a giant burger which probably wasn\u2019t the best meal choice before becoming scrunched in an uncomfortable middle seat for two-plus hours. A family of four dined at the table next to me, and I took notice to the preteen girl on her phone\u2014not in that way, creep. With disinterest, she sported a Green Day \u201cDookie\u201d shirt, a black bandanna with printed red roses, and some Chucks on full display resting on the seat and not the ground.<\/p>\n<p>It\u2019s no secret that the \u201990s are back. Television and movie reboots, showy merchandising and horrible fashion have consumed the trendy public. The latter is something I\u2019m having trouble grasping; \u201990s fashion wasn\u2019t necessarily a trend, but rather a statement of carelessness. Work boots were scuffed, but not from labor, jeans were baggy and ripped and not purchased as such, shirts were stretched and tattered, and flannel was considered all-season attire. Showering was optional, hair was mangy and long and being on time and tidy were mere suggestions. It was gross, yet people desperately attempt to recreate the look in the modern era.<\/p>\n<p>Trends are trends so there will always be a validation of why a certain era repeats itself, but living in the \u201990s, and being just old enough to process the aura of the time, I believe it\u2019s not necessarily a decade that people should purposely emulate. Why do you want to look homeless and act depressed? Those are two real issues people deal with.<\/p>\n<p>Queue the music scene. Grunge music had a certain influence on the minds of young adults, and though I still love the style today, it truly shaped a confused generation. The obsession with self-loathing created a flock of unmotivated troubled youths and it was fantastic in a bittersweet way, but also something that should have stayed in the decade. I was a preteen when Kurt Cobain died and I had a Nirvana poster; I wasn\u2019t a preteen wearing a shirt of an album that was made years before I was even a thought or unplanned accident in my parents\u2019 minds. It\u2019s okay to expand your musical horizons, but don\u2019t lay claim to a scene you weren\u2019t even alive during, or too young to even process. I love the \u201960s, \u201970s and \u201980s, but the \u201990s and \u201900s are what I relate to and support like one of my disappointing sports franchises. Maybe I\u2019m just bitter because I\u2019m beginning to experience what past generations have.<\/p>\n<p>Old person phrase in three, two, one: \u201cKids these days just don\u2019t get it!\u201d<\/p>\n<p>This is how all generations act though: we grasp onto things from the past because they\u2019re still relevant and always will be\u2014especially music. I personally believe that attitude derived from music repeats itself every three decades. Let\u2019s assess (keep in mind that all decades and generations had a little of everything so don\u2019t get all fussy; it\u2019s just that some styles were a little more dominant depending on the listener):<\/p>\n<ul>\n<li>\u201960s &amp; \u201990s: Rock music that preached peace and love through revolution and disrespect for authority during troubled times.<\/li>\n<li>\u201970s &amp; \u201900s: The rise of disco and dance from bell bottoms to boy bands to groovy funk and soul and pop stars, and from punk and glam rock to bubblegum beats and scremo.<\/li>\n<li>\u201980s &amp; \u201910s: Synthesizers, extreme catchiness, experimental pop sounds and ridiculous hair and colorful garb\u2014just a whole lot of crazy and weird going on essentially, but it worked and still does.<\/li>\n<\/ul>\n<p>&nbsp;<\/p>\n<p>So in a way, we\u2019re due for another musical revolution in rock music. Has our current love for the \u201990s predicted such a trend? I hope so from a musical standpoint. Much of my writing has subtle\u2014and obvious\u2014musical undertones. Many tracks have had an impact on my life and that will be apparent in my upcoming novel, \u201cForgotten Kids,\u201d set to release in the fourth quarter of this year.<\/p>\n<p>There are over 200 musical references in the work, and 44 of said references were direct lyrics to set the scene and tone of the narrator. However, and writers please note the following if you haven\u2019t dealt with song permissions, I was forced to reword the lyrics.<\/p>\n<p>Here\u2019s why: My publisher suggested that I go about getting permissions for each lyric used. After talks with Universal and Sony\u2014most songs are controlled by those two industry titans\u2014I was directed to Hal Leonard, the world\u2019s largest music publisher. They asked for $300 a song which was non-negotiable (even though I tried). For all you math fans, that would come out to $13,200 for lyric usage.<\/p>\n<p>There are three issues I have with this, though I do understand why the charge is in place: First, the novel will not make that much money unless this post is shared a billion times along with marketing techniques going exactly right (which they never do). Second, the combined lyrics make up just 1.25% of the entire book, so who\u2019s to say that the songs sell the book rather than the book selling the songs; and though I love all these tracks, because of the era when most were produced, I could find another song that holds the same meaning without altering the tone of the narration, the character\u2019s personality or the overall plot. Third, the excuse of intellectual property.<\/p>\n<p>\u201cWhoa, whoa, whoa; intellectual property is important, you jerk!\u201d<\/p>\n<p>I agree. Why wouldn\u2019t I agree? I have intellectual property (well,\u00a0<em>property<\/em>\u00a0at the least) out there as well, but it\u2019s one thing to say it greatly matters and another to act upon the reasoning behind the claim. I spoke with an artist\u2019s representative who informed me that the use of their lyrics was not approved; Hal Leonard said they were for $300 a pop. I respected the artist\u2019s (the intellectual proprietor) request. \u00a0Also, I spoke to the lead singer of a band who gave me permission to use their lyrics at no charge because they were the primary songwriter; Hal Leonard said I still had to pay $300. After I updated the band (the intellectual proprietor) on the music publisher\u2019s decision, they simple asked, \u201cWho the hell is Hal Leonard?\u201d It doesn\u2019t seem like intellectual property is taken that seriously\u2014the system is broken.<\/p>\n<p>&nbsp;<\/p>\n<p>Music is not, however. There will always be more fantastic lyrics, rhythms and solos, but we need to evolve instead of regress. If you remember, I was\u00a0<a href=\"https:\/\/clknauf.com\/2017\/07\/14\/an-observation-concerning-boring-covers\/\">irritated by slow covers<\/a>\u00a0that seem to still be infesting commercials and airwaves, and I\u2019m getting worried that new artists are struggling for exposure, and it may be due to over-saturation, a dwindling attention span and a lack of generational uniqueness. An author friend of mine talked about this with his 21-year-old son recently; his son couldn\u2019t depict something wonderful from his own time, and that\u2019s why there\u2019s a trend to delve deep into other generations\u2019 gifts.<\/p>\n<p>&nbsp;<\/p>\n<p>With that being said, there\u2019s plenty of talent and greatness out there. We\u2019re on the verge of a new decade; let\u2019s see what it has to offer. Keep listening, for troubled times have a way of bringing the best out of music.<\/p>\n<p>&nbsp;<\/p>\n<\/div>\n<\/div><\/div><\/div><\/div><\/div>","protected":false},"excerpt":{"rendered":"<p>by Carl Knauf \u00a0 \u201cThere\u2019s something in the, something in the way you were.\u201d -The Union Underground, \u201cRevolution Man\u201d &nbsp; I was in an airport restaurant waiting out a sizable layover, inhaling a giant burger which probably wasn\u2019t the best meal choice before becoming scrunched in an uncomfortable middle seat for two-plus hours. A family [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":241,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_et_pb_use_builder":"","_et_pb_old_content":"","_et_gb_content_width":"","spay_email":""},"categories":[1],"tags":[],"jetpack_featured_media_url":"https:\/\/ubpublishing.com\/wp-content\/uploads\/2020\/12\/patrick-tomasso-406271-unsplash-scaled.jpg","_links":{"self":[{"href":"https:\/\/ubpublishing.com\/index.php\/wp-json\/wp\/v2\/posts\/210"}],"collection":[{"href":"https:\/\/ubpublishing.com\/index.php\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/ubpublishing.com\/index.php\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/ubpublishing.com\/index.php\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/ubpublishing.com\/index.php\/wp-json\/wp\/v2\/comments?post=210"}],"version-history":[{"count":2,"href":"https:\/\/ubpublishing.com\/index.php\/wp-json\/wp\/v2\/posts\/210\/revisions"}],"predecessor-version":[{"id":244,"href":"https:\/\/ubpublishing.com\/index.php\/wp-json\/wp\/v2\/posts\/210\/revisions\/244"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/ubpublishing.com\/index.php\/wp-json\/wp\/v2\/media\/241"}],"wp:attachment":[{"href":"https:\/\/ubpublishing.com\/index.php\/wp-json\/wp\/v2\/media?parent=210"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/ubpublishing.com\/index.php\/wp-json\/wp\/v2\/categories?post=210"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/ubpublishing.com\/index.php\/wp-json\/wp\/v2\/tags?post=210"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}